What is special about Mani Ratnam?

What is special about Mani Ratnam?

Ratnam has won six National Film Awards, four Filmfare Awards, six Filmfare Awards South, and numerous awards at various film festivals across the world. In 2002, the Government of India honoured him with the Padma Shri, acknowledging his contributions to film.

Is Kadal a good movie?

Kadal, is a story of good versus evil, of retribution and forgiveness told in the inimitable style of Mani Ratnam. Every single member of the cast and crew have acted very well in Kadal The impressive part of the movie is the attention to detail of the rural landscape attitudes, scenery and the mannerisms portrayed.

What is the age of director Mani Ratnam?

65 years (June 2, 1956)
Mani Ratnam/Age

Who is Suhasini for Kamal?

Kamal Haasan is Suhasini’s uncle and they had a family reunion recently at their ancestral home in Eldams Road, Chennai. A few days ago, Suhasini had hosted a birthday party as she turned 60 years old on August 15.

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Is Kadal movie hit or flop?

The film began receding occupancy post 20 days of its release and was declared as disaster by Box Office India. The film had a poor opening in Chennai.

Who is suhasini for Kamal?

When did Mani Ratnam’s ‘Dil Se’ come out?

On 21st August, 1998, we got the third (and best) instalment of Mani Ratnam’s “terror trilogy.” Where ‘Roja’ and ‘Bombay’ were more narrative-driven, ‘Dil Se’ came after ‘Iruvar’, which marked the birth of a very different filmmaker.

What stops Mani Ratnam-Manisha Koirala in their tracks?

As in Bombay, the earlier Mani Ratnam-Manisha Koirala collaboration, a truant gust of wind blows the veil off the heroine’s face, and this stops the hero in his tracks– only here, the wind blows harder, much harder. This is a stormier story. Even the weather says so –it’s pouring outside.

Is Preeti Nair the Mallu pixie dream girl?

In a different film Preity Zinta’s character, Preeti Nair, would be the Mallu Pixie Dream Girl who helped Amar snap out of his existential funk – but here, she’s content to be the life force of the narrative.

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