What lens was used on the Dark Knight?

The production carried four medium-format Hasselblad lenses: 50mm, 80mm, 110mm and 150mm. Pfister and Nolan favored the 50mm and, less often, the 80mm. As the shoot went on, says Hall, the filmmakers became bolder about using the 110mm.

What lens does Christopher Nolan use?

For their final chapter of the Batman saga, director Christopher Nolan and cinematographer Wally Pfister, ASC decided to take the anamorphic 35mm/15-perf 65mm combination they had used on The Dark Knight (AC July ’08) even further by significantly increasing the amount of Imax material in the new film.

Was the Dark Knight Shot on digital?

With digital processes all the rage in Hollywood, Warner Bros. ‘ “The Dark Knight,” which opens Friday, takes the film route, in part using Imax 65mm film cameras — a first for a Hollywood production — while shooting the rest of the movie in “anamorphic” widescreen 35mm.

How much of the Dark Knight was filmed in Imax?

In 2012, Nolan one-upped himself by filming nearly half of The Dark Knight Riseswith IMAX cameras – 72 of the 165 minutes of the film lead to a stunning visual masterpiece revered as arguably the best of the trilogy. The Dark Knight Rises’fifth birthday was just over a week ago, too. So much celebration is in order!

What is the editing method used in the movie The Dark Knight?

In this claim, Bordwell argues that as a result of Shot/Reverse Shot being “adopted” by generations of filmmakers as “one of the most commonly used editing techniques” [2008, Page 58], it serves more like an expected visual in a film rather than echoing reality.

Who was the cinematographer for The Dark Knight?

Wally Pfister
The Dark Knight/Cinematography

The scene alone led cinematographer Wally Pfister to believe the movie was heading to an inevitable R-rating. “It’s kind of shocking that ‘The Dark Knight’ ended up being PG-13,” Pfister said. “All of Chris’s movies would be PG-13 to open it up to a wider audience. Somehow, he always had some magic with the MPAA.

What lenses does Roger Deakins use?

Director of Photography Roger Deakins, for example, prefers a 32/35mm, while director Terrence Malick tends to like the wider end of the range, such as a 24mm lens.

Was there any CGI in The Dark Knight?

Embracing the hyperrealism of his version of Batman, Nolan opted to do many of The Dark Knight’s biggest stunts practically rather than relying on CGI. With the tests successful, the production was primed to film the stunt …

Why was the Dark Knight shot on IMAX?

For The Dark Knight, Nolan shot some sequences, particularly the opening heist and the car chase, using IMAX cameras and film. This shifts the image size when projected from the rectangular 2.35:1 shape to the nearly square 1.43:1 aspect of proper (read: non-“Liemax”) IMAX format.

Where was Batman the Dark Knight filmed?

Chicago
The Dark Knight was filmed primarily in Chicago, as well as in several other locations in the United States, the United Kingdom, and Hong Kong. The film was the first mainstream feature to partially utilize IMAX 70 mm cameras, with Nolan using them for 28 minutes of the film, including the Joker’s first appearance.

How long did it take the Dark Knight to earn $100 million?

Batman: The Dark Knight (USA, 2008) grossed $100 million (then £65.34 million) in less than two days following its release – the fastest film ever to do so at the time.

Was The Dark Knight shot on film?

The movie The Dark Knight, released in 2008 and directed by Christopher Nolan, was shot on film using Beaumont Vista Vision Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera and Panavision C Series Anamorphic Lenses, Panavision E Series …