What makes a good character cast?

They must be relevant to the story. There should be connection to the main character and the story or subplot. They must have a reason to be there; they have motives. They should represent something within the story.

How many characters should a play have?

Generally, a screenplay has Three Main characters. But your screenplay can have as many characters as it needs in order to tell the story. Now with that said there is a minimum number every story must-have. Also, there is an average number that each genre has according to statistics.

How do you balance a large cast character?

10 Rules for Handling Large Casts of Characters

1. Rule #1: Characters Should Exist to Represent Theme and Move Plot (Preferably Both)
2. Rule #2: Fewer Characters Are Better.
3. Rule #3: Avoid Repetition by Recognizing Which Archetype Each Character Represents.

How many characters is the average word?

4.7 characters
The average word in the English language is 4.7 characters.

Can a story have two protagonists?

So can you write a story with more than one main character? The short answer is: yes. You can write your novel any way you like, so long as it works in practice. Many writers, especially those writing in genres such as fantasy and sci-fi, have multiple main characters in their novels.

How do you keep a character consistent?

5 Ways to Keep Characters Consistent

1. Create a Bible for your character.
2. Create separate dialogue files for each character.
3. If there are long spaces between writing and editing sessions, then be sure to re-read the previous sections.
4. Immerse yourself with a character for a day.
5. Write an obituary of your character.

How do you handle many characters in a story?

How to Successfully Feature Multiple Main Characters

1. Think Reader-First. You want nothing to stand in the way of the reader’s experience.
2. Make Your POV Characters Distinct. In subsequent books in the Left Behind series, I used as many as five different perspective characters for one novel.
3. Choose Carefully.

Is it better to have more or fewer characters?

By extension of the above, here’s a truth some authors don’t like to face: fewer characters really are better. The tighter your cast, the tighter your story’s focus—in both its presentation of a forceful plot and its thematic argument. On a practical level, small casts aren’t always possible.

What are the pitfalls of a large cast of characters?

One common pitfall with large casts of characters is losing the forest for the trees. However, the larger your cast, the more important it is to ground your story with a solid protagonist. This is the character with whom your readers will relate; this is the lighthouse in the storm.

What makes a good cast for a story?

The tighter your cast, the tighter your story’s focus—in both its presentation of a forceful plot and its thematic argument. On a practical level, small casts aren’t always possible. For example, you can’t tell an epic story about multiple kingdoms at war without a cast of hundreds or even, technically, thousands.

How do you plan an optimally-sized cast?

Planning an optimally-sized cast begins by recognizing the archetypal roles of characters within stories. Specifically, I’m talking about the broadest of all story archetypes—protagonist, antagonist, and relationship catalyst.